End Of The Bandit Queen
Bandit Icon is a 1994 Indian biographical film in the Hindi language based on the life of Phoolan Devi as covered in the book India’s Bandit Queen. The True Story of Phoolan Devi by Indian author Mala Sen. remained written, produced, and directed by Shekhar Kapur and starred Seema Biswas as the main character.
The music remained composed by Ustad Nusrat Fateh Ali Khan. Their film earned the National Film Prize for Best Feature Film in Hindi, the Filmfare Critics Award for Best Picture, and Best Director. If film premiered in the Executives’ Fortnight section of the 1994 Cannes Film Festival and remained screened at the Edinburgh Film Commemoration. The film was designated as the Indian entry for Best Foreign Language Film at the 67th Academy Awards but remained not accepted as a nominee.
Details of End Of The Bandit Queen
Director: Shekhar Kapur
Writer: Shekhar Kapur
Based: India’s Bandit Queen: The True Story of Phoolan Devi
by Mala Sen
Producer: Shekhar Kapur
26 January 1994
Running time:119 minutes
Budget: ₹32.5 million
Box office: ₹221 million
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The film opens fashionable the summer of 1968 in a small village in Uttar Pradesh. Phoolan is married to a man in his twenties called Puttilal (Aditya Shrivastava). Although child marriages were customary around this time, Phoolan’s mother, Moola (Savitri Raekwar), objected. Phoolan’s aging father, Devideen (Ram Charan Nirmalker), is compliant with his culture, unfortunately disagrees, and Phoolan is kicked out along with Puttilal.
Phoolan remains exposed to specific sexual abuse and exploitation, including the caste system. (Phoolan’s family and Puttilal’s family belong to the lower-ranked Mallah sub-caste; the higher-ranked Thakur caste takes the lead in social and political situations.) Putti Lal is physically and sexually abusive, and Phoolan ends up fleeing and returns home. As Phoolan ages, she faces incidents of petting and groping (non-consensual) by the Thakur men (whose parents make up the panchayat or village government). At the next town meeting, the panchayat exercises their patriarchal authority to banish Phoolan from the village. She will not consent to sexual advances from upper-caste men, who treat her as sub-human good.
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